August 23, 2008

Twisted Tale Wins Editor's Choice Award

Issue #11 of Twisted Tongue Magazine is now available!  In it, my micro fiction tale, Maude Hatter's Wicked Garden Party, won the Editor's Choice Award!  Over that, and at having 5 pieces published in that issue, I'm literally estatic.  Claire Nixon creates a really amazing Twisted 11print magazine, packed full of dark fiction and morbid poetry.  A downloadable version of the issue is also.  I found the graphic they chose for my story a perfect compliment to the tale's macabre theme.

I am truly honored to have my story be Editor's Choice.  Thanks Claire!

Another of my tales is currently online.  On the Hunt in the Urban Jungle can be found and read in the August Issue of Apollo's Lyre.  Apollo's Lyre is published quarterly, so you have plenty of time to read my story and stories from the other featured writers. 

 

July 10, 2008

Flash Fiction Facts & Faux Pas

Being mindful of space is key in writing short fiction.  One must craft an entertaining tale, featuring a likable character in crisis, convey action, dialogue, tension, drama, and offer a satisfying ending in a limited amount of words.  Often in as little as 200 words!

Some argue that it can't be done.  They say a good story can't be told so precisely.  Others have done, just that.  They've written wonderfully worded tales in this new meduim, call Flash Fiction.

At AlienSkin Magazine, we confine flash fiction to the parameters of 500 words minimum and 1,000 words maximum.  While this may seem a daunting task to those of you who are used writing longer fiction, stories can be told using less words.  We receive a large volume of flash fiction on a regular basis. Enough so, that we are converting to an All Flash Magazine.  Our readership and online stats show that our Flash Fiction and Micro Fiction sections receive the most reads each and every issue. 

People love surfing the net.  They love to pop into a site, read and item or two ~ items that quickly catch their eye ~ and then they pop out again on to the next site.

Readers enjoy good stories.  They seek them out in print, online and as podcasts.  They devour flash fiction during their lunch hour, between classes, during their ride home from school or work on their PDA.  They savor more tales after super on their home PC, on their multifucion cell phones, and again, their PDAs.

Flash Fiction Sells.  More and more markets seek very short stories.

But how can you, as a writer, be so precise and utilize such limited space to craft a well-rounded tale?  How can you cram characters, conflict, action, and dialogue into such a short piece?  Is there a formula for writing flash fiction that differs from writing short stories?

It can be done ~ it has been done.  And the formula for writing such a short story differs only slightly from writing fiction that generally falls within the 2,000-5,000 word range.

Flash Fiction Facts

In Flash Fiction:

  • Only 1 or 2 characters are active. Name them.
    Readers identify with realistic characters.
  • One Point of View prevails throughout the story.
  • Scenes are limited to 1 or 2; 3 on rare ocassions.
  • Dialogue is clipped for dramatic effect. Nothing is
    wasted on polite, etiquette speech.
  • Conflict may involve internal turmoil or external stressors.
  • Action must be concisely described and appropriate
    for the story.
  • Description of setting and characters are minimal, yet vivid
    and concise.
  • The first sentence must hook the reader.
  • The story problem must be conveyed quickly, generally in
    the first 3 to 5 sentences.
  • A resolution to the story problem must occur by the before
    the tale is complete. 

Why Some Flash Fiction Fail

The primary reason a writer fails to create a marketable piece of flash fiction is in the exclusion of one of the basic foundations on short story writing.

The tale typically lacks:

1.  A realistic, defined character that the reader identifies
    with and cares about.
2.  A life-changing problem that is within the central
    character’s ability to solve or one that is indeed
    solved by the central character.
3.  Appropriate dialogue. Often such tales contain
    dialogue that is lame, melodramatic, or unrealistic
    given the story’s circumstances.
4. Proper Point of View. Omnipresent point of view may
    distance the reader from the story. And first can’t be
    used if you end up killing off the viewpoint character.
5. A satisfying ending. The ending does not have to be
    a happy one, but it has to make sense and the main
    character has to be affected or changed by it.

Other times, a Flash Fiction story fails because it:

1. Relies on a gimmick or twist ending that most often
    seems tacked on.
2. Contains a cliché or overused plot. It is true that most
    storylines and themes have been used repeatedly in
    fiction, stories convey them in a different and unique way.
3. Utilizes generalities in describing action, character, and
    setting instead of specifics and vivid imagery.
4. Raises more questions than it answers once the story
    has ended.  Loose ends within the story have not been
    neatly tied up. They remain unraveled, causing the story
    to lack clarity.

Still not sure if Flash Fiction is for you?  Not certain a satisfying tale can be written in so few words?

Read the Flash Fiction section in AlienSkin Magazine.  We publish at least a dozen of them in each issue! 

June 28, 2008

Twisted Poems to be Published

Patience is not only a virtue it is a must-have characteristic for fiction writers.

It keeps us from climbing the walls and from biting our fingernails down to the quick as we wait and wait for that all important editor reply. And we must wait, for just as it took us time to think up that neat story idea, to write it, rewrite it, edit it and submit it, we also must wait for that story to find the right home.

Sometimes that takes more time than we expect.Twisted Tongue 10

For me, patience proved handy. Three of my poems based on the Fibonacci Sequence (more commonly called fibs) were sent out to an editor back in early March. The months came and went. My observant eye noted the absence of an reply entry on submission log beside each poem, but still I waited.

Did I query the editor? Nah.

There were twisted, weird poems; and there are few marks taking dark poems of a such short length. So I waited.

And waiting paid off.

I just got word that all three poems were accepted for inclusion in Twisted Tongue magazineSuicide Sally, Witch Jelly, and The Other Woman will be appearing in issue #11, this August!